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Amanda Marsh's (@marsh_amanda) work has always dealt in some way, with states of consciousness and intention. She is curious about the context in which intentions are formed and enacted, the images, patterns and information, which combine to form them; the ways they lead to comprehension and perhaps action.
The recurring, central theme in the work is the search for passing mental states, intentionality, the ‘qualia’ that phenomenologist philosophers understand to be the only way to attain knowledge of things and events ‘as they are’. Marsh attempts to ‘depict’ such states visually. She switches media from painting to installation to video, working with the media best able to convey the idea or narrative.
Amanda Marsh's (@marsh_amanda) work has always dealt in some way, with states of consciousness and intention. She is curious about the context in which intentions are formed and enacted, the images, patterns and information, which combine to form them; the ways they lead to comprehension and perhaps action.
The recurring, central theme in the work is the search for passing mental states, intentionality, the ‘qualia’ that phenomenologist philosophers understand to be the only way to attain knowledge of things and events ‘as they are’. Marsh attempts to ‘depict’ such states visually. She switches media from painting to installation to video, working with the media best able to convey the idea or narrative.
Amanda Marsh's (@marsh_amanda) work has always dealt in some way, with states of consciousness and intention. She is curious about the context in which intentions are formed and enacted, the images, patterns and information, which combine to form them; the ways they lead to comprehension and perhaps action.
The recurring, central theme in the work is the search for passing mental states, intentionality, the ‘qualia’ that phenomenologist philosophers understand to be the only way to attain knowledge of things and events ‘as they are’. Marsh attempts to ‘depict’ such states visually. She switches media from painting to installation to video, working with the media best able to convey the idea or narrative.