Andre Lipscombe
Andre Lipscombe’s interests in painting practice have evolved significantly since 2000 when he began to explore projects that engage with ‘expanded painting’ – making hybrid works between painting and objects, concerned with the primary issues of painting, particularly attuned to trace the tension between presence and absence.
For Andre, the idea of ‘unconcealment’ suggests that something pre-exists our attempts to ‘discover’ it and part of the truth is engaging a process to locate something ineffable, ungraspable. He is interested to explore the broader ontological condition of matter, being and time through an engagement with the medium of paint.
Andre Lipscombe’s interests in painting practice have evolved significantly since 2000 when he began to explore projects that engage with ‘expanded painting’ – making hybrid works between painting and objects, concerned with the primary issues of painting, particularly attuned to trace the tension between presence and absence.
For Andre, the idea of ‘unconcealment’ suggests that something pre-exists our attempts to ‘discover’ it and part of the truth is engaging a process to locate something ineffable, ungraspable. He is interested to explore the broader ontological condition of matter, being and time through an engagement with the medium of paint.
Andre Lipscombe’s interests in painting practice have evolved significantly since 2000 when he began to explore projects that engage with ‘expanded painting’ – making hybrid works between painting and objects, concerned with the primary issues of painting, particularly attuned to trace the tension between presence and absence.
For Andre, the idea of ‘unconcealment’ suggests that something pre-exists our attempts to ‘discover’ it and part of the truth is engaging a process to locate something ineffable, ungraspable. He is interested to explore the broader ontological condition of matter, being and time through an engagement with the medium of paint.