Kay Wood
Kay Wood’s (@kay_m_wood) work is an ongoing inquiry into the structures of knowledge that are applied to the world in order to capture, dissect and describe what ‘is’. This applies both to her own personal narrative as well as other ways of knowing our world.
In a dialogue with things and events and through painting, Kay seeks to find a way of understanding that meshes with phenomena (psychic and physical) through the senses and in the realm of visual poetics in an open-ended engagement which refutes distance and control. Her still lives are her challenge to herself to observe without overt description- they are serialised spaces of contemplation. Her abstract works are intuitive, ad hoc and eschew thematic continuity yet remain connected to each other.
She is drawn to the beauty of the natural world and objects within it which all contain natural fractals (irregular self-similar shapes). She sees soft geometry everywhere.
Kay Wood’s (@kay_m_wood) work is an ongoing inquiry into the structures of knowledge that are applied to the world in order to capture, dissect and describe what ‘is’. This applies both to her own personal narrative as well as other ways of knowing our world.
In a dialogue with things and events and through painting, Kay seeks to find a way of understanding that meshes with phenomena (psychic and physical) through the senses and in the realm of visual poetics in an open-ended engagement which refutes distance and control. Her still lives are her challenge to herself to observe without overt description- they are serialised spaces of contemplation. Her abstract works are intuitive, ad hoc and eschew thematic continuity yet remain connected to each other.
She is drawn to the beauty of the natural world and objects within it which all contain natural fractals (irregular self-similar shapes). She sees soft geometry everywhere.
Kay Wood’s (@kay_m_wood) work is an ongoing inquiry into the structures of knowledge that are applied to the world in order to capture, dissect and describe what ‘is’. This applies both to her own personal narrative as well as other ways of knowing our world.
In a dialogue with things and events and through painting, Kay seeks to find a way of understanding that meshes with phenomena (psychic and physical) through the senses and in the realm of visual poetics in an open-ended engagement which refutes distance and control. Her still lives are her challenge to herself to observe without overt description- they are serialised spaces of contemplation. Her abstract works are intuitive, ad hoc and eschew thematic continuity yet remain connected to each other.
She is drawn to the beauty of the natural world and objects within it which all contain natural fractals (irregular self-similar shapes). She sees soft geometry everywhere.