Sue Leeming
Sue Leeming (@sueleemingartist) is an Australian resident born in Taranaki, New Zealand and identifies as New Zealand Maori as well as of English and Scottish descent. She attended The University of Auckland, Elam School of Fine Art and majored in printmaking graduating with a Bachelor of Fine Arts Degree and Post-Graduate Diploma in Fine Art in 1995. Sue immigrated to Perth, Western Australia in 1998.
Her current practice is primarily based around painting and drawing mediums and extends ideas of abstraction, landscape, identity and spirituality. She experiments with the physicality of paint and process, allowing the imagery to spring from process. She is interested in plasticity and psychological responses to both cultural and physical environments.
Sue Leeming (@sueleemingartist) is an Australian resident born in Taranaki, New Zealand and identifies as New Zealand Maori as well as of English and Scottish descent. She attended The University of Auckland, Elam School of Fine Art and majored in printmaking graduating with a Bachelor of Fine Arts Degree and Post-Graduate Diploma in Fine Art in 1995. Sue immigrated to Perth, Western Australia in 1998.
Her current practice is primarily based around painting and drawing mediums and extends ideas of abstraction, landscape, identity and spirituality. She experiments with the physicality of paint and process, allowing the imagery to spring from process. She is interested in plasticity and psychological responses to both cultural and physical environments.
Sue Leeming (@sueleemingartist) is an Australian resident born in Taranaki, New Zealand and identifies as New Zealand Maori as well as of English and Scottish descent. She attended The University of Auckland, Elam School of Fine Art and majored in printmaking graduating with a Bachelor of Fine Arts Degree and Post-Graduate Diploma in Fine Art in 1995. Sue immigrated to Perth, Western Australia in 1998.
Her current practice is primarily based around painting and drawing mediums and extends ideas of abstraction, landscape, identity and spirituality. She experiments with the physicality of paint and process, allowing the imagery to spring from process. She is interested in plasticity and psychological responses to both cultural and physical environments.