Olive Gillhille
Olive Gillhille (@olivegillhille) IS A MULTIDISCIPLINARY ARTIST AND DESIGNER. OLIVE IS INTERESTED IN THE UTILITARIAN ELEMENT OF FURNITURE AND WANTED TO APPLY ABSTRACT AND ARTISTIC CONCEPTS TO PRACTICAL OBJECTS. SEEKING FURTHER STUDY AND TO DEVELOP SKILLS IN MAKING, THE DESIGNER UNDERTOOK THE ASSOCIATE DEGREE OF FURNITURE DESIGN AT RMIT (2018). GILL-HILLE AIMS TO CREATE PIECES THAT TRANSFORM FURNITURE, TRADITIONALLY STATIC ITEMS, INTO INVOLVED AND UNCONVENTIONAL WORKS OF ART. THE ARTIST'S EXPERIMENTAL STRUCTURES OFTEN REFERENCE THE HUMAN BODY, BODIES SUPPORTING BODIES AND ADAPTING SHAPES AND FORMS FROM THE NATURAL ENVIRONMENT INTO MAN-MADE WORKS. DEVELOPING A NARRATIVE SURROUNDING THE ARTWORKS AS WELL AS DRAWING INSPIRATION FROM THE MATERIAL'S HISTORY AND ARTIST'S WORKING ENVIRONMENT ARE KEY ASPECTS OF GILL-HILLE'S PRACTICE.
Olive Gillhille (@olivegillhille) IS A MULTIDISCIPLINARY ARTIST AND DESIGNER. OLIVE IS INTERESTED IN THE UTILITARIAN ELEMENT OF FURNITURE AND WANTED TO APPLY ABSTRACT AND ARTISTIC CONCEPTS TO PRACTICAL OBJECTS. SEEKING FURTHER STUDY AND TO DEVELOP SKILLS IN MAKING, THE DESIGNER UNDERTOOK THE ASSOCIATE DEGREE OF FURNITURE DESIGN AT RMIT (2018). GILL-HILLE AIMS TO CREATE PIECES THAT TRANSFORM FURNITURE, TRADITIONALLY STATIC ITEMS, INTO INVOLVED AND UNCONVENTIONAL WORKS OF ART. THE ARTIST'S EXPERIMENTAL STRUCTURES OFTEN REFERENCE THE HUMAN BODY, BODIES SUPPORTING BODIES AND ADAPTING SHAPES AND FORMS FROM THE NATURAL ENVIRONMENT INTO MAN-MADE WORKS. DEVELOPING A NARRATIVE SURROUNDING THE ARTWORKS AS WELL AS DRAWING INSPIRATION FROM THE MATERIAL'S HISTORY AND ARTIST'S WORKING ENVIRONMENT ARE KEY ASPECTS OF GILL-HILLE'S PRACTICE.
Olive Gillhille (@olivegillhille) IS A MULTIDISCIPLINARY ARTIST AND DESIGNER. OLIVE IS INTERESTED IN THE UTILITARIAN ELEMENT OF FURNITURE AND WANTED TO APPLY ABSTRACT AND ARTISTIC CONCEPTS TO PRACTICAL OBJECTS. SEEKING FURTHER STUDY AND TO DEVELOP SKILLS IN MAKING, THE DESIGNER UNDERTOOK THE ASSOCIATE DEGREE OF FURNITURE DESIGN AT RMIT (2018). GILL-HILLE AIMS TO CREATE PIECES THAT TRANSFORM FURNITURE, TRADITIONALLY STATIC ITEMS, INTO INVOLVED AND UNCONVENTIONAL WORKS OF ART. THE ARTIST'S EXPERIMENTAL STRUCTURES OFTEN REFERENCE THE HUMAN BODY, BODIES SUPPORTING BODIES AND ADAPTING SHAPES AND FORMS FROM THE NATURAL ENVIRONMENT INTO MAN-MADE WORKS. DEVELOPING A NARRATIVE SURROUNDING THE ARTWORKS AS WELL AS DRAWING INSPIRATION FROM THE MATERIAL'S HISTORY AND ARTIST'S WORKING ENVIRONMENT ARE KEY ASPECTS OF GILL-HILLE'S PRACTICE.